PIANO FORZA
Kundvagn
Din kundvagn är tom
Antal:
Delsumma
Moms
Leverans
Totalt
Ett fel uppstod med PayPalKlicka här för att försöka igen

Rädda pianot!
Blog
Building this site
Publicerat den 9 maj 2018, kl. 1.44 |
![]() |
Hi all you folks who has been supporting my website and blog! I appreciate all the positive comments. This site is build by myself through the company vistaprint.se. Its actually quite easy to follow the instructions even if you, as I am, is a beginner in this design field. Then I will be back with new discussions and ideas about teaching and practicing piano. All the best! Kjell |
Pianolessons on iPad!!!
Publicerat den 4 september 2017, kl. 3.14 |
![]() |
Pianolessons on iPad!!! Who would come up with an idea to teach piano with 3 persons playing with mostly index finger och a small iPad. It exists. Is this the future? Watch and react! http://www.blockpiano.com Kjell |
Digital pianos vs acoustic pianos
Publicerat den 30 september 2012, kl. 12.31 |
![]() |
Acoustic
piano versus digital piano.
Over the years as musician and teacher I’ve
often seen, specially the last 10 years, that students who play jazz or rock
piano have difficulties with pain in both back, shoulders and arms.
Since I’ve experienced the same sensations
playing on digital pianos and/or synthesizers I see an explanation to these
symptoms connected to those instruments.
1. The digital piano has a fixed release.
On some pianos you can choose how long release you want but you can’t affect it
while playing. As a pianist you want to control that yourself and be able to
vary the release depending on what you are playing. For instance a jazz-pianist
playing swing-phrases can use a relaxed portato on a real piano and the sound
would be almost legato as a result of the use of accents. On a digital piano
you will have to “stay longer” on each key to get the same result – or else it
will sound staccato-like. This will lead to tensions in your arms.
2. You can’t expand the sound differently
on a single tone on a digital piano. All anticipations of notes will be very
flat and non-expanding.
3. If you repeat a chord with sustainpedal
down with similar attack on each chord the volume doesn’t increase as I does on
an acoustic instrument.
3. The key sensitivity is related to key
velocity and much more sensitive than on a normal piano. The dynamic range within
a fixed volume is not big – you tend to use the volume knob to get the result
you want. It’s also impossible to press a key without resulting in a sound.
Instinctively a lot of pianists block their elbows tight to the body and play
only from the wrist – you can call this a “wood-pecker-attack”. Shoulder pain
is an obvious result of this technique.
4. Last but not least: the manufacturers of
digital pianos are trying very hard to sample more and more characteristics
from the pianos. This leads to possibilities to incorporate pedal-sounds
(actually sounds from the pedal mechanics!!)
All this is to please the pianist – you
could say that most samples of pianosounds are built on the impression of the
piano from the pianists listening point. A lot of keyboardsound are
implemented. That’s because they want us, the musicians, to recognize the sound
from the playing position. Then you take that sound and amplify – that’s not
what you here from an acoustic instrument – not even if you put a microphone
over the strings!
|
Kategorier
/